Pergolesi: L’Olimpiade album review: The Guardian update
Monaco/Raftis/Colombo/Frigato/Orchestra Ghislieri/Prandi (Arcana) Recorded from a live performance in an 18th-century theatre in Jesi – Pergolesi’s hometown – this is a brain-addling tale of love
Monaco/Raftis/Colombo/Frigato/Orchestra Ghislieri/Prandi (Arcana) Recorded from a live performance in an 18th-century theatre in Jesi – Pergolesi’s hometown – this is a brain-addling tale of love triangles and long-lost twins set in the ancient Olympics Pietro Metastasio’s tale of dirty doings at the ancient Olympic Games proved so popular that more than 60 composers set it to music, including Caldara (for whom it was written), Vivaldi and Cherubini.
Pergolesi’s version, premiered in 1735, resurrected in 1937, is among the finest, presaging what should have been a glorious operatic career if only the composer hadn’t died at the age of 26. The story begins as the formidable Megacle is persuaded to compete in disguise as his hot-headed and not entirely honourable friend Licida.
What Megacle doesn’t know is that the prize is the hand of Aristea, the woman he has fallen in love with himself. Throw in Licida’s cast-off mistress Argene masquerading as a shepherdess and the discovery that Licida is actually Aristea’s long-lost twin and you have all the ingredients for a plot of brain-addling complexity.
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