Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat
The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment, helps erase our own brutal
The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment, helps erase our own brutal journey • Peter Bradshaw’s five star review • A classicist’s verdict The simple act of holding a camera in my homeland of Western Sahara can be a crime.
When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco.
In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right.
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