Pierpaolo Piccioli’s couture debut reimagines Balenciaga in his own colourful image
Italian designer brings sculptural silhouettes and playful palettes to the storied house, while it is hats off to Giorgio’s niece at her second Armani Privé
Italian designer brings sculptural silhouettes and playful palettes to the storied house, while it is hats off to Giorgio’s niece at her second Armani Privé couture show The house of Balenciaga takes haute couture very seriously indeed.
Cristóbal Balenciaga was so horrified by the rise of mass-produced clothes that, in 1968, he abruptly shuttered his brand and retired to his native Spain, announcing that “high fashion is mortally wounded”. So Pierpaolo Piccioli, who now helms the house, approached the brief of his first Balenciaga couture collection conscientiously, despite having 25 years of experience at Valentino.
At a preview, the haute couture war room where he worked on the show for nine months was plastered with images that ranged from a 1961 Balenciaga dress to Spanish golden age art – Zurbarán’s chic saints, Velázquez’s doll-like infantas – and a monumental Hepworth pierced megalith.
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