When reporting from Ukraine’s front line, the facts don’t always tell the whole story | Charlotte Higgins
There are images that flicker in the mind before sleep: the loss, the resilience and then the strange mundanity of it all What was it
There are images that flicker in the mind before sleep: the loss, the resilience and then the strange mundanity of it all What was it like? Is the question I am often asked when I return from working in Ukraine, where I have been travelling regularly since 2022. There’s an understanding implicit in the question that the answer will not – not quite – lie in the accumulation of reporting. For good reasons the reporter keeps her eyes steady and focused outward, collecting the essential information, conveying it as clearly and smoothly as possible.
The reporter reins in and disciplines her subjectivity, while, ideally, recognising its existence and understanding its contours. The reporter knows that the facts of the matter are the thing. At the same time, feelings and impressions cannot wholly be untangled from the facts. Feelings are inevitable, if you are functioning as a human in any sense at all. They are the tentacles of empathy that reach out in an attempt to understand people and situations.
Feelings have an epistemic role – a part to play in acquiring knowledge. Nevertheless, they must be tidied into the background. Respect for your readers and your subjects demands it; the rituals and rules of journalism demand it. Charlotte Higgins is the Guardian’s chief culture writer Ukrainian Lessons by Charlotte Higgins (Cape, £22) will be published in August. To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply Ukrainian Lessons: Art in a time of war with Charlotte Higgins and guests On Wednesday 30 September, join Charlotte Higgins and our panel of acclaimed Ukrainian writers to reflect on the profound connections between war, art and life.
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