Home is where the art is: the rise of the epic domestic novel
Writing about home life doesn’t have to be humdrum argues the author of Natural Disaster – just look at world-spanning, taboo-shattering works such as Ducks
Writing about home life doesn’t have to be humdrum argues the author of Natural Disaster – just look at world-spanning, taboo-shattering works such as Ducks, Newburyport and All Fours ‘There’s no place like home,” Dorothy declares at the end of The Wizard of Oz, as she departs the dazzling Emerald City for Aunt Em’s Kansas farmhouse.
It’s a powerful metaphor for the way the domestic sphere is often portrayed in art: action, adventure and drama happen “out there” in glorious Technicolor, with the home rendered by contrast in sober sepia tones. Home may be the place we ultimately yearn for, but only once we have left it behind.
While working on my second novel, Natural Disaster, I was periodically plagued by the potential pitfalls of putting domestic life front and centre. The story takes place over 24 hours, following a woman who plans to spend her final day of maternity leave having a nice time with her two small boys (spoiler: it doesn’t go to plan).
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