‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece
They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the
They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again Suits. Gnomic poetry. Moody, insistent riffs. It used to be that you’d know what to expect from NYC rockers Interpol. The band’s first two albums, in the early 00s, were blockbuster successes, shifting half a million units each thanks to dramatic songs also fit for jerking around at an indie disco.
Interpol duly jumped up to a major label, but then quickly fell back down again. Their talismanic bassist Carlos Dengler quit, and the band settled into a decade of solidly successful but pretty predictable albums. The most recent, 2022’s The Other Side of Make Believe, only reached No 178 on the US charts. So it’s a bit unexpected that their upcoming eighth album, This Mirror Weighs a Ton, is their masterpiece.
“We just all really showed up,” frontman-guitarist Paul Banks says of a band that has swelled to a quintet as two touring musicians, bassist Brad Truax and keyboardist Brandon Curtis, become full-time members. “The lyrics on the last record, it’s really hard for me to identify with what I was doing,” Banks continues. “I felt as if I made some mistakes.” What were they?
“I don’t want to draw attention to them! I just didn’t want to walk away with that feeling again.” Continue reading...
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