The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
Danish shaggy-dog story about a man with a dissociative disorder has a fun premise but wastes it on lots of goofy, humourless violence Anders Thomas
Danish shaggy-dog story about a man with a dissociative disorder has a fun premise but wastes it on lots of goofy, humourless violence Anders Thomas Jensen is an Oscar-winning screenwriter, director and veteran of the Dogme 95 years at Denmark’s Zentropa Studios. He now brings us this slapstick-violent black comedy and shaggy dog story of gruesome silliness.
It is well acted but relentlessly and bizarrely unfunny. So unfunny as to be almost funny, but not really, in that the unfunniness approaches the condition of being itself a joke, though without really arriving. It could be that the spectre of Zentropa’s dark master of the prank, Lars von Trier, is hovering somewhere in the corner of the frame.
Mads Mikkelsen is cast against type as nerdy loser Manfred, an abuse survivor with learning disabilities whose tough-guy brother Anker (Nikolaj Lie Kaas) robs a bank. Before being arrested, Anker gives poor twitchy Manfred the key to the railway station locker where he has stashed the loot, and tells him to get the cash once the cops have gone and bury it in the woodland behind their old family home where their dad used to brutalise them.
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