La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
José Luis López Vázquez’s phone box nightmare is short and sharp but Narciso Ibáñez Serrador’s TV fever dream overplays its hand Two macabre Spanish TV
José Luis López Vázquez’s phone box nightmare is short and sharp but Narciso Ibáñez Serrador’s TV fever dream overplays its hand Two macabre Spanish TV plays from the 1970s are being released as a double bill: Antonio Mercero’s La Cabina (★★★★★) is a cult 1972 surreal short film lasting just 35 minutes but encompassing an entire dreamworld of anxiety.
It was conceived for television in the spirit of Alfred Hitchcock Presents or Roald Dahl’s Tales of the Unexpected, but I can imagine it shown in cinemas as a curtain-raiser before Buñuel’s The Exterminating Angel. La Cabina is a black comic nightmare in which a fussy middle-aged man, played by veteran Spanish comedy actor José Luis López Vázquez, steps into a phone booth that has just appeared in a suburban sidestreet.
But the phone doesn’t work and then he can’t get out; the door is jammed. What to do? There’s no mobile phone to reach for; in 1972, the phone booth was the mobile phone. He gesticulates and waves in panic through the glass, though seems mysteriously robbed of the power of speech and is clearly inhibited by how ridiculous he must look.
Crowds cluster round and try ineffectually to help. A callous, carnivalesque atmosphere develops. The man sees himself reflected in a mirror that one onlooker is carrying: trapped, absurd, bourgeois homo sapiens as zoo animal. Continue reading...
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