‘Suggestive toothpaste tubes shooting into mouths’: David Hockney’s winking celebration of queer life
He challenged homophobia not through sexualised imagery but by reshaping ideas of beauty, intimacy and desire. The result? From posters to cushion covers, A Bigger
He challenged homophobia not through sexualised imagery but by reshaping ideas of beauty, intimacy and desire. The result? From posters to cushion covers, A Bigger Splash has become an essential presence in countless gay households ‘He changed the world just by looking at it’ David Hockney, revolutionary British artist, dies aged 88 Six decades after David Hockney painted A Bigger Splash, his most famous painting, reproductions have become a visual motif in gay domestic life.
I’ve seen framed posters, prints and postcards of the work – which captures the moment after a person jumps off a diving board into an otherwise still cyan blue swimming pool – in countless gay households. In my flat, it appears on a cushion cover that I bought after seeing the real thing at Hockney’s 2017 Tate Britain retrospective.
It’s fitting that A Bigger Splash is now emblematic of this pioneer. As an out gay artist who depicted same-sex desire in his work long before male homosexuality was partly decriminalised in England and Wales, Hockney and his paintings challenged the homophobia within the artistic establishment and beyond. And he did so not through the use of highly sexualised imagery, like the photographer Robert Mapplethorpe, or with the activist themes of painter Keith Haring, but by reshaping our ideas of beauty, intimacy and desire.
That’s how he made the biggest splash. Continue reading...
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