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Sally Beamish: House of Wonder album review

Published 12 June 2026 · entertainment

Beamish/Corbett/Whitehead/Havlat/ Irvine/Thomson/Ventris (Delphian) The British composer’s celebratory album is a family affair Sally Beamish celebrates 70 years on planet Earth with an eclectic and profoundly

Beamish/Corbett/Whitehead/Havlat/ Irvine/Thomson/Ventris (Delphian) The British composer’s celebratory album is a family affair Sally Beamish celebrates 70 years on planet Earth with an eclectic and profoundly personal album featuring friends and members of her talented musical family.

At the centre of it all is Beamish herself, a musical shapeshifter, at home in classical, jazz or folk fiddle, performing on her own instrument, the viola.

It opens with April, a luminous chaconne for viola and accordion memorialising her friend, jazz pianist Ellis Marsalis Jr. Equally poignant is Gerropaedie for viola and harp, a Satie-inspired birthday gift for an elderly patron.

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Sally Beamish: House of Wonder album review

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Published: June 12, 2026 • 12:00 PM IST · Updated: June 12, 2026 • 12:39 PM ISTBy TheBriefWire Editorial Team

Sally Beamish: House of Wonder album review

Key points

  • Beamish/Corbett/Whitehead/Havlat/ Irvine/Thomson/Ventris (Delphian) The British composer’s celebratory album is a family affair Sally Beamish celebrates 70 years on planet Earth with an eclectic and profoundly personal album featuring friends and members of her talented musical family.
  • At the centre of it all is Beamish herself, a musical shapeshifter, at home in classical, jazz or folk fiddle, performing on her own instrument, the viola.
  • It opens with April, a luminous chaconne for viola and accordion memorialising her friend, jazz pianist Ellis Marsalis Jr.
  • Equally poignant is Gerropaedie for viola and harp, a Satie-inspired birthday gift for an elderly patron.

Published June 12, 2026.


📌 Source: The Guardian

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