āDangerous for being freeā: Mon Laferte on calling out injustice as Chileās biggest star
The musician opens up about her mental health, government corruption and why conservative backlash wonāt stop her speaking her mind Mon Laferte has a sore
The musician opens up about her mental health, government corruption and why conservative backlash wonāt stop her speaking her mind Mon Laferte has a sore throat. Halfway through our conversation, in a studio with no windows at the Sony offices above New Yorkās Madison Square Park, singer Norma Monserrat Bustamante Laferte meekly asks her manager for a latte without lactose, or coconut milk, if they have it.
Itās the first truly hot day of spring. Sheās in between arena dates across Latin America of her Femme Fatale tour. Tonight, sheāll skulk through Manhattan with rhinestone-studded eyelids and a Marilyn Monroe wig to film the Femme Fatale music video. Today, her hair is dyed red, cropped in spiky Marcel waves. Sheās wearing a black slip dress and a pair of artful, lace-up tabis.
With a career spanning over two decades, Laferte holds more Latin Grammys than any other Chilean singer and is the countryās biggest female streaming star, with over 18m monthly listeners. In October of 2025, Laferte released her tenth record, Femme Fatale, a jazz album that saw her step into a vampy alter ego; this month sees the continuation of the story with companion album Femme Fatale Vol 2.
Like the archetype, her vision of pop stardom is biting by design. āThe archetype is the dangerous one, no? Dangerous for being free, secure,ā she tells me in Spanish. āFemme Fatale is a name the press have given me.ā Continue reading...
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