Wim Wenders withdraws film with disputed child nude scene
Actress Nastassja Kinski spent years calling for the removal of a sexualized scene from Wim Wenders' film "The Wrong Move," in which she appeared topless
Actress Nastassja Kinski spent years calling for the removal of a sexualized scene from Wim Wenders' film "The Wrong Move," in which she appeared topless at the age of 13. The Wim Wenders Foundation announced on Wednesday that the 1975 film "Falsche Bewegung" ("The Wrong Move"), at the center of a headline-grabbing dispute between the German filmmaker and actress Nastassja Kinski, is being withdrawn from circulation for the time being. Kinski has been trying for years to get filmmaker Wim Wenders to remove a scene from the movie. In the brief scene, her co-star Rüdiger Vogler (then over 30 years old) visits the 13-year-old in her bedroom, where she is lying on a bed wearing only panties. The man undresses down to his underwear and lies on top of her; he slaps her and then caresses her face. "Although I didn't know much at the age of 13, I could already tell that it wasn't right," the German actress recently told the German daily Süddeutsche Zeitung newspaper. Nastassja Kinski in the film 'The Wrong Move' (1975) Image: Albatros Produktion/Collection Christophel/picture alliance The acclaimed German director first reacted publicly to Kinski's demands in 2024, stating that he understood her "current perceptions and feelings," adding that he would not film the scene that way today. Through his acceptance speech for the Honorary Prize for Lifetime Achievement at the German Film Awards ceremony held in Berlin on May 29, Wenders turned the dispute into a wider public debate. In his speech, he repeated that such a scene would not be done that way today, but noted that it also raised a larger question for him: How should one deal with films that were created in a different era? "I can't blame the 29-year-old young man I was then, 50 years ago, who made a film of his time; wanting, in a way, to capture the zeitgeist," said Wenders, who also later collaborated with Kinski as the star of his acclaimed "Paris, Texas" (1984) and in "Faraway, So Close!" (1993).
Kinski also starred in the Palme d'Or-winning Wenders film 'Paris, Texas' in 1984 Image: Capital Pictures/IMAGO Stating that he was aware that the scene causes pain to an actress "whom I deeply admired, and still do," Wenders added that he remained hesitant to edit the film retroactively. It is, he noted, a moral question, one that he didn't want to deal with on his own. Wenders rather called on the German Film Academy to initiate a discussion regarding his dilemma, adding that he hoped younger filmmakers would contribute to the conversation. Asked to comment on the debate, a press spokesperson told DW that the German Film Academy didn't yet have a statement on the issue. Should films be revised after completion? For Wenders, altering completed films can create difficult precedents for archives, restorations and cultural history. But several films have already been reedited after their release, whether to make them shorter for commercial success in cinemas, more suitable for certain markets or simply because the filmmaker determined it was better that way. In his speech, Wenders referred to how Steven Spielberg regretted modifying "E.T. the Extra-Terrestrial" for the 20th anniversary reissue of the sci-fi blockbuster in 2002. In the revised version, federal agents who were originally shown carrying guns were holding walkie-talkies instead. "That was a mistake," Spielberg said at a US Time magazine forum in 2023. "I never should have done that. 'ET' is a product of its era. No film should be revised based on the lenses we now are either voluntarily or being forced to peer through." He realized that movies are "a signpost of where we were when we made them, and what the world was like." Spielberg regretted making changes to 'E.T.' in the 20th-anniversary reissue Image: Bert Reisfeld/dpa/picture alliance From "Aladdin" (1992) to "Lilo & Stitch" (2002), many classic Disney movies have been edited in reissue editions or in the versions streamed on the Disney+ platform, to adapt to the sensitivities of modern audiences.
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