Prisoners of Paradise review – Ellie Bamber heads to Mauritius for chaste literary tale of star-crossed lovers
An upper-class Englishwoman falls in love with a worker on her uncle’s sugar plantation in this insipid adaptation of Romesh Gunesekera’s novel Here is a
An upper-class Englishwoman falls in love with a worker on her uncle’s sugar plantation in this insipid adaptation of Romesh Gunesekera’s novel Here is a tale of love across the divide, based on a novel by Booker nominee Romesh Gunesekera. Set in 1925, it revolves around 17-year-old Lucy (Ellie Bamber), a beautiful young upper-class Englishwoman sent to live on her uncle’s sugar plantation in colonial Mauritius.
There she meets Krishna (Mehdi Dehbi), a local man of Indian heritage employed by her uncle in the fields. In a Mr Darcy-style moment early on, Lucy spies Krishna stripped to the waist and splashing about in a waterfall. But Prisoners of Paradise is a chaste and idealistic drama, and even this moment is filmed in a damp, unerotic way, as if a bit of phwoar would sully Lucy and Krishna’s noble hearts.
Lucy has arrived at Ambleside, the plantation house owned by her uncle George (Rupert Penry-Jones) after the death of her mother. Mauritius’s economy was built on the labour of African slaves and later indentured workers from India. It’s now nearly a century after the abolition of slavery, but uncle George has not removed the torture instruments from his garden, where shackles still hang from a post.
He also clings to abhorrent beliefs about racial superiority. Lucy is appalled by his views, and shocked by the casual racism in his circle. When she falls for Krishna, they begin to meet in secret. Continue reading...
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