Solo Sunny review â a rueful East German gem of ambition, loneliness and faded dreams
Konrad Wolfâs 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and
Konrad Wolfâs 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosseâs Cabaret.
The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word âbumsenâ. Solo Sunny is the work of Konrad âKoniâ Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi.
It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeckâs novel Kairos is a
big fan of Wolf.) Continue reading...
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