This Booker longlist may have two previous winners, but it’s keen to experiment
Marlon James, Douglas Stuart and Elizabeth Strout are names we know, but there’s a welcome element of surprise elsewhere • Previous winners Douglas Stuart and
Marlon James, Douglas Stuart and Elizabeth Strout are names we know, but there’s a welcome element of surprise elsewhere • Previous winners Douglas Stuart and Marlon James lead a Brit-heavy Booker prize longlist This year’s Booker longlist is led by two previous winners. Twelve years on from A Brief History of Seven Killings, Marlon James returns to Jamaica in The Disappearers, out in September: a polyphonic epic of a murderous mob attack on a gay theatre group in 1988 Kingston, and the two-decade aftermath of trauma and revenge that follows.
A brutal expose of Jamaica’s homophobia, it’s also an energetic portrait of queer culture and the Caribbean diaspora. Douglas Stuart, whose debut Shuggie Bain won in 2020, is included for John of John, in which a young gay man returns to his childhood home on the Hebridean island of Harris, where his devout father is also hiding his sexuality. Both novels open up territory not often trod in literature, with Stuart illuminating faith, repression and the fading traditions of the Scottish Hebrides. It’s no surprise either to see a third nomination for Elizabeth Strout.
The Things We Never Say introduces new characters to her fictional universe, in the story of a fiftysomething teacher with a secret in his marriage and a sadness in his heart. Strout has always been interested in class and deprivation in American society; the spectre of Trump brings a growing darkness, but as ever her spiky warmth and wisdom carry the reader through. The other big-name American author on the list is Emma Cline; Switzy, out in September, takes us inside the mind of a high flyer whose grip on the world is failing as dementia encroaches.
David is taking his last journey, to a euthanasia clinic in Zurich, and on the way will hopefully make his final reckonings with friends and family while he can still recognise them. It’s a technical tour de force of the unreliable narrator, and a hugely moving account of life’s meaning as everything is stripped away. Continue reading...
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