Wham! 10 Days in China review – pop meets politics in George and Andrew’s great leap east
The duo’s groundbreaking 1985 tour reveals a strange collision of pop stardom and communism, a re-edit of Lindsay Anderson’s efforts that got him fired Here
The duo’s groundbreaking 1985 tour reveals a strange collision of pop stardom and communism, a re-edit of Lindsay Anderson’s efforts that got him fired Here is a documentary that has a very important story to tell, maybe more important than it feels comfortable admitting. It’s about two separate subjects – or maybe three: Wham!, China and film-maker Lindsay Anderson.
A superpower nervously edging towards western-style openness, a pop band nervously doing what needed to be done to make it big in the US, and a great film director, needing the money, taking on a project he didn’t really believe in. In 1985, Wham!’s beetle-browed manager Simon Napier-Bell had a cunning plan for how George Michael and Andrew Ridgeley could break the US: Wham!
would be the first ever western pop band to perform in mainland China. They would play where the Beatles, the Stones and Elvis had never played, and the resulting global publicity would launch them into the US. (He was right – it did.) In our modern age, the movie and music businesses routinely consider China as the key element of the all-important Asian market, but in 1985, Michael and Ridgeley were the Kirk and Spock of the charts, going where no pop act had gone before.
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