Richard Dadd review – can his mental illness help explain these arresting, bizarre images?
Royal Academy, London Dadd was already a remarkable artist – with fairies as his hit theme – before he was locked up for murder. Yet
Royal Academy, London Dadd was already a remarkable artist – with fairies as his hit theme – before he was locked up for murder. Yet it was within the confines of Bedlam that he saw nature and art afresh The young man in the garden must be one of Richard Dadd’s fellow patients in Bedlam, you think.
His unkempt hair and ruffled clothes are sure indications of a distracted mind as he sits, half his face in shadow, hands nervously clasped, on a fabulously twisted wooden bench surrounded by greenery that’s almost too lush for comfort. Yet the subject of Dadd’s 1853 Portrait of a Young Man is probably the superintendent of Bethlem Hospital, Dr Charles Hood.
The painter sees reflections of his own mental state in this frail-seeming young clinician. Patient and doctor are not so different, he suggests. There is the finest of lines between “sanity” and “madness”. Dadd crossed that line when he murdered his father whom he thought was the devil, then tried to kill a stranger while fleeing to Paris.
He was quickly caught and would spend the rest of his life in Bedlam and Broadmoor. But how much does his mental illness explain his arresting, bizarre, sometimes unforgettable images? Is he a kind of Victorian acid casualty whose visions of fairies are the peculiar fruit of his psychosis? Continue reading...
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