MobLand season two review – why is Pierce Brosnan’s tedious crime drama so obsessed with testicle jokes?
This Guy-Ritchie-directed gangland drama is deathly dull. It’s a charm-free watch with awful characters and humour so genital-based that at one point Helen Mirren yells
This Guy-Ritchie-directed gangland drama is deathly dull. It’s a charm-free watch with awful characters and humour so genital-based that at one point Helen Mirren yells a penis joke at a sausage MobLand. It sounds like a regional nightclub. Or a boyband. But it’s not. It’s a Paramount+ crime drama starring Pierce Brosnan as an Irishman unable to speak in a convincing Irish accent.
This is his tragedy. His cross to bear. And now it’s ours, too, because MobLand is back for a second series, with Brosnan – as the veteran gang boss Conrad Harrigan – once again battling other gang bosses while attempting to say things like “Oi love ye loike a tramp loves paraffin” without his vowels shrivelling into tiny raisins of pseudo-Hibernian shame.
Does he succeed? Oi tink not! But there are bigger problems afoot, to be sure. Created by Ronan “Top Boy” Bennett and directed by Guy Ritchie, the first series of the London-set MobLand (feel the width of that capitalised L!) was a sustained roar of nothing much; a rumble through every possible modern gangster drama cliche in the Every Modern Gangster Drama Cliche book.
You know the sort of thing: car chases through suspiciously empty city streets; convoluted drug deals with mumbling eastern Europeans; tiny-eyed endomorphs in flat caps bellowing “Oi” in slow motion as they hurtle through the air to the strains of something unconscionable by Kasabian. Continue reading...
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